ELEMPERADOR: 2011

and then...

Son las 3pm en Cannes y Audrey Tautou camina la sobre la alfombra roja en un

trajecito impecable de Chanel, con uñas rojas y un peinado muy clásico donde

ningún mechón escapa de su lugar exacto. Cada detalle es femenino y delicado,

casi frágil. Vestida totalmente de negro y con la espalda descubierta, es

imposible ignorar la intensidad de su sensualidad.

Es mediodía en S.I. y me robo 20 minutos en la oficina para ojear una Nylon al lado de la máquina de

café. Yo estoy de cara lavada, con mi más viejo jean, Converse y una

remera con una foto de B.Dylan. Avanzada la revista, en medio

de la colección de invierno de Miu Miu, decidí empezar un blog de esto, de

hacerle yo un nuevo espacio a la moda. Y hete aquí El Emperador.

domingo, 1 de mayo de 2011

Everything......BEATLES

No band has influenced pop culture the way the Beatles have. They were one of the best things to happen in the twentieth century, let alone the Sixties. They were youth personified. They were unmatched innovators who were bigger than both Jesus and rock & roll itself. As musicians, the Beatles proved that rock & roll could embrace a limitless variety of harmonies, structures, and sounds; virtually every rock experiment has some precedent on Beatles records. As a unit the Beatles were a synergistic combination: Paul McCartney's melodic bass lines, Ringo Starr's slaphappy no-rolls drumming, George Harrison's rockabilly-style guitar leads, John Lennon's assertive rhythm guitar — and their four fervent voices.
Lennon was performing with his amateur skiffle group the Quarrymen at a church picnic on July 6, 1957, in the Liverpool suburb of Woolton when he met McCartney, whom he later invited to join his group; soon they were writing songs together, such as "The One After 909." By the year's end McCartney had convinced Lennon to let Harrison join their group, the name of which was changed to Johnny and the Moondogs in 1958. In 1960 an art-school friend of Lennon's, Stu Sutcliffe, became their bassist. Sutcliffe couldn't play a note but had recently sold one of his paintings for a considerable sum, which the group, now rechristened the Silver Beetles (from which "Silver" was dropped a few months later, and "Beetles" amended to "Beatles"), used to upgrade its equipment.
The Queen of England had announced that the Beatles would be awarded the MBE (Member of the Order of the British Empire). The announcement sparked some controversy — some MBE holders returned their medal — but on October 26, 1965, the ceremony took place at Buckingham Palace. (Lennon returned his medal in 1969 as an antiwar gesture. Interestingly, even though he rejected the medal, the honor itself cannot be returned; Lennon technically remained an MBE.)
The Beatles' ambitions began to extend beyond love songs and pop formulas. Their success led adults to consider them, along with Bob Dylan, spokesmen for youth culture, and their lyrics grew more poetic and somewhat more political.
It took four months and $75,000 to record Sgt. Pepper's Lonely Hearts Club Band using a then state-of-the-art four-track tape recorder and building each cut layer by layer. Released in June 1967, it was hailed as serious art for its "concept" and its range of styles and sounds, a lexicon of pop and electronic noises; such songs as "Lucy in the Sky With Diamonds" and "A Day in the Life" were carefully examined for hidden meanings.